Scores

The music of Lieven Duvosel often remains underexposed. Discover his beautiful Ave Maria here.

The Missa Nubentium - in nubes progredientium was written for the wedding of his daughter Tineke: Mass for those who marry, advancing in the clouds.

O Salutaris Hostia is a simple but very beautiful four-part work that appeared with the Koor&Stem magazine Stemband in September 2011.

Norbert Rosseau wrote about six masses. This Missa in honorem spiritus sancti is dedicated to Noel Van Wambeke and Pros Goethals, the conductors of the cathedral choir in Ghent. This work is in Latin, later Rosseau would also write church music for them in Dutch.

Beata viscera was written in 2005 for the choral scores we published with the magazine Stemband of Koor&Stem. It is an easy and appealing composition in which all voices are assigned an interesting line.

This mass has no exact composition date and originated somewhere between 1450 and 1480.

Laudate Dominum by Sebastiaan van Steenberge is a challenge for an amateur choir and a refreshing liturgical work.

With Domine Deus in simplicitate, Ludo Claesen takes us to Gregorian chant. The beginning of the composition refers to the original melody of the Gregorian hymn. Claesen does not literally copy the melody line, but retains the idea behind the practice: the melismatic singing or in other words, the singing of several notes on a syllable.

Paul Steegmans wrote a simple religious work: Ego sum panis, suitable for liturgy or concert.

Jan Van der Roost's Rorate Coeli was first published in 2009. It's an excellent work of easy to moderate difficulty.