Scores
- Adriaan Willaert (1)
- August De Boeck (1)
- Carl Van Eyndhoven (2)
- Chris Dubois (1)
- Frank Agsteribbe (1)
- Heinrich Isaac (1)
- Hubert Waelrant (1)
- Jan Van der Roost (2)
- Johannes Ockeghem (1)
- Josquin Desprez (1)
- Kristiaan Van Ingelgem (1)
- Liesbeth Decrock (2)
- Lieven Duvosel (1)
- Lucien Posman (1)
- Ludo Claesen (1)
- Noor Sommereyns (1)
- Norbert Rosseau (1)
- Orlandus Lassus (1)
- Paul Steegmans (1)
- Paul Schollaert (1)
- Pierre-Hercule Brehy (1)
- Raymond Schroyens (1)
- Roland Coryn (1)
- Sebastiaan van Steenberge (1)
- Stijn Dierckx (2)
- Vic Nees (1)
With Lorem ipsum, Stijn Dierckx won the second edition (2023) of the Vic Nees Composition Competition in the category music schools. The jury fell for the beautiful harmonies and the humor of the composer who, with Lorem ipsum, sets fake Latin - dummy text for graphic design to show the visual form of a document without any meaningful text - to music.
The music of Lieven Duvosel often remains underexposed. Discover his beautiful Ave Maria here.
Nobody expected that Marina would become such a worldwide hit. Here you will find an a cappella version for SATB.
On the occasion of the Week of Belgian Music, Carl Van Eyndhoven wrote an arrangement of Marina by Rocco Granata. Choirs and sympathizers chose this song from a series of 12 golden hits.
Paul Schollaert turned 80 in 2020. He wrote Lied aan de Zee from the Ensorcantata in July 1984 on the occasion of the annual music week in Ronse with the Ostend choirs Muzeschuit (children's choir), Camerata Ostendia (like-minded women's choir) and Ter Duinenkantorij (mixed choir of mainly parents of the children and young people from the two other groups).
Frank Agsteribbe launched in 2019 a recording at Etcetera of Flemish Requiem - Vlaams Requiem. The Lux Aeterna is a part from Bréhy's Requiem Mass that you will find in its entirety.
Here you can find the original Dutch version of Fruit salad for the choir in Dutch: Fruitsla voor het koor
This is perhaps Waelrant's best-known work. It is very popular with choirs in Flanders and the Netherlands.
Vecchie letrose is a villanscha. Willaert wrote fifteen of these kind of songs. Vecchie letrose is still very popular. Since it is very short, it is usually sung several times in succession, sometimes interspersed with instrumental versions. The text is spoken/sung by a lover who makes fun of the envious old women, under whose care the girl in love is placed.
The Missa Nubentium - in nubes progredientium was written for the wedding of his daughter Tineke: Mass for those who marry, advancing in the clouds.
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