Scores

A simple five-part motet as a vocal thanksgiving.

The Missa Brevis has 5 parts: Kyrie, Gloria, Sanctus, Agnus Dei and Halleluja. The complete score was published by Norsk Musikforlag. There are also versions for male and female choir, always with optional electronics.

The fourteen Cantica (= Hymns) for three equal voices and organ ad libitum probably originate from about 1912. It is a collection of fresh motets, also suitable for children's voices, that can be sung at various moment during the liturgical year.

Benoit wrote his opus 1 in the year that he obtained a first prize at the Royal Conservatory of Brussels. It became a double choir Ave Maria with divisi  in the male voices.

The music of Lieven Duvosel often remains underexposed. Discover his beautiful Ave Maria here.

Beata viscera was written in 2005 for the choral scores we published with the magazine Stemband of Koor&Stem. It is an easy and appealing composition in which all voices are assigned an interesting line.

Norbert Rosseau wrote about six masses. This Missa in honorem spiritus sancti is dedicated to Noel Van Wambeke and Pros Goethals, the conductors of the cathedral choir in Ghent. This work is in Latin, later Rosseau would also write church music for them in Dutch.

With Domine Deus in simplicitate, Ludo Claesen takes us to Gregorian chant. The beginning of the composition refers to the original melody of the Gregorian hymn. Claesen does not literally copy the melody line, but retains the idea behind the practice: the melismatic singing or in other words, the singing of several notes on a syllable.

Ludo Claesen wrote Domine non est exaltatum (psalm 131) for a colloquium in August 2016. The feasibility for an average church choir was an important criterion.

Paul Steegmans wrote a simple religious work: Ego sum panis, suitable for liturgy or concert.