Scores
- Adriaan Willaert (1)
- August De Boeck (1)
- Carl Van Eyndhoven (2)
- Chris Dubois (1)
- Frank Agsteribbe (1)
- Heinrich Isaac (1)
- Hubert Waelrant (1)
- Jan Van der Roost (2)
- Johannes Ockeghem (1)
- Josquin Desprez (1)
- Kristiaan Van Ingelgem (1)
- Liesbeth Decrock (2)
- Lieven Duvosel (1)
- Lucien Posman (1)
- Ludo Claesen (1)
- Noor Sommereyns (1)
- Norbert Rosseau (1)
- Orlandus Lassus (1)
- Paul Steegmans (1)
- Paul Schollaert (1)
- Pierre-Hercule Brehy (1)
- Raymond Schroyens (1)
- Roland Coryn (1)
- Sebastiaan van Steenberge (1)
- Stijn Dierckx (2)
- Vic Nees (1)
In 2016 Stijn Dierckx composed the suite Phenomenae Naturae for SATB and piano, where five natural phenomena are portrayed through texts of British and American authors. Luce Prima was written as an addition to and the beginning of Phenomenae Naturae. It portrays the sunrise and nature’s awakening.
With Lorem ipsum, Stijn Dierckx won the second edition (2023) of the Vic Nees Composition Competition in the category music schools. The jury fell for the beautiful harmonies and the humor of the composer who, with Lorem ipsum, sets fake Latin - dummy text for graphic design to show the visual form of a document without any meaningful text - to music.
Paul Schollaert turned 80 in 2020. He wrote Lied aan de Zee from the Ensorcantata in July 1984 on the occasion of the annual music week in Ronse with the Ostend choirs Muzeschuit (children's choir), Camerata Ostendia (like-minded women's choir) and Ter Duinenkantorij (mixed choir of mainly parents of the children and young people from the two other groups).
Let down the bars, O Death! is a sensitive composition. The work reflects the sad atmosphere of the text by Emily Dickinson (1830 - 1886). It is a short, expressive and rather easy work that will appeal to many mixed choirs. In the compilation Songs and Song Cycles for mixed Choir a cappella on English and American poetry, published by Musikproduktion Höflich in Munich in 2013 you will find many other beautiful work by Coryn.
Laudate Dominum by Sebastiaan van Steenberge is a challenge for an amateur choir and a refreshing liturgical work.
Heinrich Isaac visited Innsbruck at least three times. In September 1484, 1500 and 1501. He therefore also had to leave the city several times. At least two versions of the song are known, for different occasions.
In 2019, Dubois wrote two arrangements for SATB a cappella of Ik zag Cecilia komen, created by the Geels Vocaal Ensemble conducted by Eva Vermeren during their concert trip to Barcelona. Dubois alternates canonical bits between single voices with full four voices. A short piece with melodic lines and surprising harmony.
An accessible four-part motet written for the European Music Festival of Youth, Neerpelt in 1977.
The Missa Nubentium - in nubes progredientium was written for the wedding of his daughter Tineke: Mass for those who marry, advancing in the clouds.
Here you can find the original Dutch version of Fruit salad for the choir in Dutch: Fruitsla voor het koor
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