Scores

Heinrich Isaac visited Innsbruck at least three times. In September 1484, 1500 and 1501. He therefore also had to leave the city several times. At least two versions of the song are known, for different occasions.

In 2019, Dubois wrote two arrangements for SATB a cappella of Ik zag Cecilia komen, created by the Geels Vocaal Ensemble conducted by Eva Vermeren during their concert trip to Barcelona. Dubois alternates canonical bits between single voices with full four voices. A short piece with melodic lines and surprising harmony.

A tasteful simple three-part setting of one of the 150 Souterliedekens.

An accessible four-part motet written for the European Music Festival of Youth, Neerpelt in 1977.

The Missa Nubentium - in nubes progredientium was written for the wedding of his daughter Tineke: Mass for those who marry, advancing in the clouds.

El Grillo is typical of a frottola, a simple profane song in Italian and musical ancestor of the madrigal.

Ego sum vitis vera (I am the true vine) is a communion song. The beautiful text inspired the composer to create a composition with a drive and a storyline through a play between male and female choir, surrounded by flowing and natural lines and uplifting sound auras. Rhythmically, this is not an easy piece, but once the score is mastered, the fruits are all the sweeter.

Paul Steegmans wrote a simple religious work: Ego sum panis, suitable for liturgy or concert.

With Domine Deus in simplicitate, Ludo Claesen takes us to Gregorian chant. The beginning of the composition refers to the original melody of the Gregorian hymn. Claesen does not literally copy the melody line, but retains the idea behind the practice: the melismatic singing or in other words, the singing of several notes on a syllable.

Norbert Rosseau wrote about six masses. This Missa in honorem spiritus sancti is dedicated to Noel Van Wambeke and Pros Goethals, the conductors of the cathedral choir in Ghent. This work is in Latin, later Rosseau would also write church music for them in Dutch.