Scores

55 scores found that match your search
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Noah Thys

Spring by Noah Thys is an excerpt from Seasonal Snapshots: Japanese Haiku Cycle for mixed choir SAATBB on English translations of haikus by Japanese poets throughout history. The complete cycle consists of 5 parts; in addition to the seasons, the night is also sung about. You can already get to know the third part on Koorklank.

SAATBB a capella
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Chris Dubois

In 2019, Dubois wrote two arrangements for SATB a cappella of Ik zag Cecilia komen, created by the Geels Vocaal Ensemble conducted by Eva Vermeren during their concert trip to Barcelona. Dubois alternates canonical bits between single voices with full four voices. A short piece with melodic lines and surprising harmony.

SATB a capella
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Description
August De Boeck

O Salutaris Hostia is a simple but very beautiful four-part work that appeared with the Koor&Stem magazine Stemband in September 2011.

SATB with organ
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Koen Vits

Maria durch ein' Dornwald ging is a well-known pilgrim's song from Eichsfeld (Niedersachsen) that has been sung as an Advent song since the 20th century.

SAB a capella
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Norbert Rosseau

Norbert Rosseau wrote about six masses. This Missa in honorem spiritus sancti is dedicated to Noel Van Wambeke and Pros Goethals, the conductors of the cathedral choir in Ghent. This work is in Latin, later Rosseau would also write church music for them in Dutch.

SATB a capella
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Video or audio
Jan Van der Roost

Beata viscera was written in 2005 for the choral scores we published with the magazine Stemband of Koor&Stem. It is an easy and appealing composition in which all voices are assigned an interesting line.

SATB a capella
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Video or audio
Diederik Glorieux

Diederik Glorieux adapted two lamentations and the closing Turkish cradle song from his work Plainte especially for our website Choral Music from Flanders to Two laments and Lullaby. He reduced the score to a mixed choir and organ so that a choir can also sing the work in other circumstances, without the specific instrumentation and the original link of the Plainte to J.S. Bach's Actus Tragicus.  

SmSATB with organ
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Video or audio
Jacob Obrecht

From Dufay, the profane song l'homme armé would become one of the most beloved cantus firmi. It originated in the second half of the 15th century. The popular melody has been used in more than thirty masses during the Renaissance period, of which the ones in Dufay, Ockeghem and Busnois are the earliest in the series. Jacob Obrecht paid tribute to his teacher Antoine Busnois by copying his composition of this melody as cantus firmus identically in his Missa l'homme armé.

STTB a capella
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Video or audio
Johannes Ockeghem

This mass has no exact composition date and originated somewhere between 1450 and 1480.

SATB a capella
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Video or audio
Heinrich Isaac

Heinrich Isaac visited Innsbruck at least three times. In September 1484, 1500 and 1501. He therefore also had to leave the city several times. At least two versions of the song are known, for different occasions.

SATB a capella

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